Fall 2007 Articles

Preface

By Stephen Pasqualina

IMAGINE A FRAME: its powers of inclusion, exclusion, its ability to introduce subjects into our line of sight and force us to imagine-an imaginary mode of vision Gayatri Chakravorty Spivak describes later in this collection as "the ability to think something absent and not mine.

Forced Into Photography By Metaphor or To Free (At Last) All Framed Blackness

A Photo Essay, Interview by Stephen Pasqualina

By Thomas Sayers Ellis, Sarah Lawrence College

Thomas Sayers Ellis co-founded The Dark Room Collective in Cambridge, Massachusetts in 1988 and earned an M.F.A. from Brown University in 1995. His work has appeared in many journals and anthologies, including Poetry, Grand Street, Tin House, Ploughshares and The Best American Poetry, 1997 and 2001.

Thinking About the Humanities

A Talk

By Gayatri Chakravorty Spivak, Columbia University

IN 1929, ROKEYA SAKHAWAT HOSSAIN, a Bengali feminist, wrote a book called Abarodhbashini, published by the Feminist Press in English translation as "The Secluded Ones." (The more correct translation would be "Prisoner," in the feminine gender.) This is how she opens her book: "We have been imprisoned so long that we are quite used to it.

Fulfilling the Book: Shakespeare, Music, Identity, and Kwame Dawes' 'Requiem'

An Essay

By John Carpenter, University of Central Florida

LONG BEFORE CARIBBEAN WRITERS began to discuss colonial and postcolonial identities in terms of William Shakespeare's The Tempest-way back, in fact, before Shakespeare was born-a black African trumpeter performed regularly in the English court. Treasurer's records mention a "black trumpet," variously identified as John Black or John Blancke, who, beginning in 1507, was paid eight pennies per day.

Ethnic American Literature and its Discontents: Reflections on the Body, the Nation

An Essay

By Maria Zamora, Kean University

BODIES ARE MANIPULATED TO PRODUCE MEANING AND PURPOSE. They accumulate meaning by way of attribution, designation, authorization, and naming. But bodies are just as often made to be social and symbolic markers in life. The import of a live body is encountered in the world by way of the dynamic combination of both inscription and self-determined expression.

"It's a Kind of Destiny": The Cultural Mulatto in the "New Black Aesthetic" and 'Sarah Phillips'

An Essay

By Habiba Ibrahim, University of Washington

IN "THE NEW BLACK AESTHETIC," published in Callaloo in 1989, Trey Ellis identifies a rupture between the black aesthetics of previous generations, and the "new" aesthetics of black artists who came of age in a post-integration era. These younger artists, unfettered by concerns over racial authenticity or, more pertinently, black cultural traditions, borrow as easily from white culture as from black, and are therefore what Ellis refers to as "cultural mulattoes.

What is an American? The Problem of the West

An Essay

By Robert Fanuzzi, St. John's University

POOR CHRISTOPHER COLUMBUS. He spent the fateful year of 1492 bouncing around the islands of the American archipelago, convinced that Japan, or the ruler of China, or the riches of Asia were right around the corner. His only encouragement came from mistranslation of the natives' directions, and from the miseducation he had received from the geography schools of Salamanca, Spain.

Pedagogy and Praxis in the Age of Empire

Interview by Samantha Cohen

By Peter McLaren, UCLA and Nathalia Jaramillo, Purdue University

Peter L. McLaren, UCLA Professor of education, and Nathalia Jaramillo, Assistant Professor of Cultural Foundations at Purdue University, recently co-authored Pedagogy and Praxis in the Age of Empire: Towards a New Humanism (Sense Publishers, 2007), a collection of essays that investigates corporate global capitalism and its relation to educational and social movements in the United States and abroad.

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